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Matt Smith and Karen Gillan to Visit Australia

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Arguably one of the biggest (and best) things to grace screens in 2013 has been the final season of Matt Smith's run on Doctor Who and 2014 is promising to be a blast for Aussie Whovians. The Hub Productions have just announced that both Matt Smith and Karen Gillan will be gracing our shores during their appearances at the 2014 Whoniverse.

WHO-FFICIAL PRESS RELEASE:
The Hub Productions Presents: Whoniverse
SYDNEY – Saturday, March 1st, 2014 • PERTH – Sunday, March 2nd, 2014


ADELAIDE – Saturday, March 8th, 2014
 • MELBOURNE – Sunday, March 9th, 2014

There is no better way for fans of bow ties and fezzes to ring in the New Year than with confirmation that Doctor Who stars Matt Smith and Karen Gillan are set to headline four exclusive The Hub Productions’ events in Australia next March. Forget the Doctor Who Christmas Special – this is the biggest news in the whoniverse this holiday season.

For three years Smith and Gillan delighted fans together as The Eleventh Doctor and his companion Amy Pond in the hit TV series Doctor Who and next year they will reunite for a massive tour of Australia, with stops scheduled in Sydney, Perth, Adelaide and Melbourne. It will be the first time the pair appear as guests at Australian conventions and Doctor Who devotees are in for an experience that is out of this world (and time and space)!

The Hub Productions’ Whoniverse shows will be bigger on the inside with Smith and Gillan appearing on stage to share stories and participate in Q&As with fans. Each show will also feature autograph and professional photograph opportunities. Plus, limited tickets will be available for a special meet and greet event with both stars. Tickets go on sale in January. For more information visit www.thehubproductions.com.

Top 10 Comics of 2013

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2013 has been a great year for comics, with fantastic stories coming from the mainstream and independent publishers alike. We here at Geek of Oz have put our heads together to bring your our 10 favourites from the year that was. Feel free to mention yours in the comment section just in case we missed something. Hopefully 2014 will be just as good as this year!


Saga


So this one is a no brainier. Epic settings, memorable characters and giant space troll scrotum. What more could you want in an ongoing series? Well probably less troll scrotum admittedly, but unmentionables aside, with a writer like Brian K Vaughn at the helm and the exceptionally talented Fiona Staples on art duties there was never any doubt that this would be a killer ongoing series. Together they have crafted the beginnings of a fantasy sci-fi epic that keeps its characters disturbingly relateable. It's been a real thrill exploring the Saga universe through the eyes of Marko, Alana and their newborn, Hazel, and I can't wait to see what 2014 holds for them. Oh and Lying Cat, who doesn't love Lying Cat? 


Nowhere Men


Writer Eric Stephenson and artist Nate Bellegarde have created an ongoing sci-fi series which is a mixture of all things intrigue, suspense, and non-traditional superpower plot. Employees of the World Corp are exposed to a mysterious biochemical agent which changes them once they return to earth. This is only half of the story. The other half is set in the past and shows us the relationship of the four World Corp founders, who are basically the Beatles of Science. This series has an amazing attention to detail and is worth much more than you are actually paying for it.


Superior Spider-Man


To say that Dan Slott’s plan to make Doc Ock the new Spider-Man was controversial would be the understatement of the century. Many a Spider-fan was (and still are) up in arms (all 8 of them) about the decision to have the main Spider-book center around the mind of Otto Octavius in the body of Peter Parker to the point where he even received a death threats about it. But personally I couldn't be happier. It’s so obvious that Slott is having a blast writing with the story as he effortlessly plays around with hero/villain tropes and stereotypes to great comedic effect. In putting a villain in the drivers seat Slott throws away the usual superhero story conventions and moralities to deliver an edgy and refreshing mainstream comic. 


East of West


In my own personal opinion, East of West is my favourite Jonathan Hickman series to date. It’s a futuristic story, which is also grim, mysterious and overloaded with imagination. Nick Dragotta’s pencils deliver on that vivid imagination with panels seemingly bursting to the seams. As with most of Hickman’s work the story is teased out slowly, but in a way that leaves you hungry for more.


Sex Criminals


Who would of thought a book called 'Sex Criminals’ would actually be any good? Well admittedly anyone who saw the name Matt Fraction on the cover... but my point is that this comic could have easily sucked. The premise "when people have sex they stop time and rob banks" is pretty darn stupid but somehow Matt Fraction and Chip Zdarsky make it seem inspired. In just three issues they've been able to establish two very grounded and relateable protagonists in the form of Susie and John whilst staying true to the sex-comedy genre. This combined with Zdarsky's unique art style and strong visual theme make for a hilarious and bizarrely heartfelt story.


All New X-Men


Brian Michael Bendis has been given the keys to the X-Men universe. The first thing he does is bring back the original founding X-Men team from the 1960s (Cyclops, Jean Grey, Iceman, Beast and Angel) to the present day by time travel. This was all done via modern-day Beast, who brings his younger self and original teammates forward in time, to convince the present day Cyclops to change his errant ways. It may seem confusing and make you go a little cross-eyed, but trust me, it’s great and is the most fun I’ve had reading X-Men in a long time. Stuart Immonen on art duties is icing on the cake as well.


True Lives of the Fabulous Killjoys


Back in 2008 Gerard Way won over comic book fans old and new with his off-beat superhero series Umbrella Academy. This year he did it all over again with the more musically driven The True Lives of the Fabulous Killjoys. Teaming up with writer Sean Simon and artist Becky Cloonan, Way presents us with a bizarre and intriguing dystopia in which gangs of teenagers fight for their freedom against the faceless 'Better Living Inc'. The prose and dialogue is all exquisitely written, flowing from the page like a songs whilst the plot effortlessly dances around between an ensemble cast of characters. Cloonan's fun art brings a real playfulness to the story telling whilst never conflicting with the more melancholy and darker subtext. This series really is a treat for anyone who feels like a sojourn from the mainstream.


Lazarus


Set in a future, post-apocalyptic world, Lazarus sees the world run by a handful of powerful families. Each family has a genetically modified agent who protects the family’s interests, called a “Lazarus”. Forever Carlyle is the central character of this series, as she is the “Lazarus” of the Carlyle Family. Greg Rucka and Michael Lark have created an intriguing serialised crime thriller, which is sure to go from strength to strength in 2014.


The Legend of Luther Strode


Admittedly this follow up to The Strange Talent of Luther Strode straddles both 2012 and 2013 but it really is too good not to have on this list. Justin Jordan and Tradd Moore, two creators who are relatively new to the industry, deliver a master-class in visual storytelling in this phenomenal mini-series. Justin Jordan lets Tradd Moore's subtle facial gestures and dynamic poses do a lot of the heavy lifting story wise whilst dispensing fast paced dialogue when necessary. Underneath the gore covered exterior of this ultraviolet tale lies a truly charming love story that provides 'The Legend of Luther Strode' with a beating heart. Plus each issue ends on some of the best cliff hangers I have experienced in a long time. If you haven't read this series you need to change that right now!


Hawkeye


What does Hawkeye do on his days off from the Avengers? That is what writer Matt Fraction and artist David Aja have produced with this series. It’s a gorgeous marriage of both traditional capes comics as well as the best of independent comics. Each issue of this series is a stand out from the previous in terms of writing and art. A special mention goes to Hawkeye #11, the Pizza Dog issue, as one of my favourite single issues from this year.

Aussie Short Film "Nerds in Love" to Premiere at Flickerfest

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Earlier this evening I had the pleasure of speaking to 25 year old Sydney based Director and Producer, Sean Rodrigo. Our chat was exhilarating due in no small part to his infectious passion for his upcoming short film, Nerds in Love, which is due to premiere at Flickerfest, a BAFTA recognised event.

Starring indie TV darling Lawrence Leung, Aussie pop superstar Stan Walker and girl-nextdoor Tessa De Josselin, Nerds in Love is a popculture soaked romance of both epic and mundane proportions. In the same vein as Taika Waititi's 'Eagle vs Shark' or 'Napoleon Dynamite', Nerds in Love relishes in an absurdist portrayal of common life.

Sean said: “I wrote the film while I was at a real crossroads in my life, working average jobs, struggling with my career path, wondering if I was ever going to make it as a filmmaker. But out of this challenging time came the inspiration for ‘Nerds in Love’ – a film that’s essentially about hope and finding love and friendship in an unlikely situation; themes I’m sure the Flickerfest audience will relate to.” 

And so ‘Nerds in Love’ was born. With a quality script in hand, which took him years to craft, Sean leveraged off connections he’d made through freelance directing gigs and a stint at MTV to secure top tier acting and production talent for the film, including: Lawrence Leung (ABC and SBS) Stan Walker (Australian Idol winner, 2009) and up and coming Sydney actress Tessa De Josselin, as well as ‘Dumb Ways to Die’ composer and Cat Empire keyboardist and backing vocalist Ollie McGill – and post VFX and sound production by some of Australia’s best post houses: The Refinery, Jumbla, Engine, Sonar Sound, and FSM. 

Sean concluded with: “There’s a lot of uncertainty, doubt and darkness in the world today, and I love films that give you something good to hope for; films such as Jean- Pierre Jeunet’s ‘Amelie’ or Taika Wititi’s ‘Boy’ – great sources of inspiration to me – in which viewers are immersed in a world populated by optimistic themes and characters. 

Off the back of his Flickerfest success, Sean plans to submit ‘Nerds in Love’ into other festivals both here and abroad while pursuing freelance directing/production projects in Australia. 

‘Nerds in Love’ premieres at Flickerfest International Short Film Festival on Saturday 11 January 2014 at 8.45pm at the beautiful Bondi Beach Pavilion, Sydney.

Naoki Urasawa's Monster Part 1 (Anime) Review

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Naoki Urasawa's Monster is widely regarded as being a manga masterpiece so it should come as no surprise that the anime incarnation is just as fantastic. Ten years after it's initial release, the series is finally being released in Australia by the good people at Siren. 

"What would you do if a child you saved grew up to be a monster?

An ice-cold killer is on the loose, and Dr. Kenzo Tenma is the only one who can stop him!

Tenma, a brilliant neurosurgeon with a promising future, risks his career to save the life of a critically wounded young boy named Johan. When the boy reappears nine years later in the midst of a string of unusual serial murders, Tenma must go on the run from the police who suspect him to be the killer.

Conspiracies, serial murders, and secret government experiments set against the grim backdrop of the formerly communist Eastern Europe are masterfully woven together in the compelling work of suspense that is Naoki Urasawa's MONSTER." - Siren

The only downside to this release is that it only offers the first 15 of 74 episodes. This is the kind of series that would benefit from back to back viewing. That said, it looks as though Siren will be releasing each collection only a month apart. Sometimes it feels as though, as an anime fan, I'm forced to watch fantasy, sci-fi, harem or slice of life series. Monster on the other hand, is a brilliant crime thriller that could very well be translated into a prime time live action television series. This is the kind of story that appeals to the masses. Not only is the story incredibly tight, but it is also an utterly compelling and mysterious story not unlike those told by Keigo Higashino, the author of The Devotion of Suspect X. To be honest, I'm generally not a huge fan of crime thrillers or tales of mystery but Monster proves that a great story transcends genre.

The animation quality is solid, albeit a little bit on the soft side which is more so a reflection of its vintage than the quality of work. Madhouse always do fantastic work and Monster is no different. Throughout the first 15 episodes we're treated to some lovely landscape designs, predominantly based in Western Europe. The character designs are also fantastic, a solid reflection of Naoki Urasawa's quality work in the source material. Like the story itself, the art is meticulous and there's none of the post first episode dip in quality that is sometimes experienced.

The story is so incredibly thought out, meticulous and the series in general appears to dispense with those pesky filler episodes that we all loathe. Instead we get episodes that set up following episodes so they're not a waste of 22 minutes. The fact that the titular "Monster" in the series is so rarely seen or even heard of is testament to the deft hand of Urasawa and director Masayuki Kojima. It's the unknown that makes this series so thrilling. The pacing of each episode is brilliant, particularly when considering the non-linear aspect of the story which has a tendency to jump from past to present on a whim without missing a beat.

Monster is one of the best anime series, no scratch that... Monster is one of the best TV series you are likely to see. It is a masterclass in storytelling and already a contender for the best local release of 2014.

- Ryan




Win Red 2 on DVD

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Everyone's favourite grey haired gang is back and thanks to our friends at Hopscotch, we've got 5x copies of RED 2 to give away on DVD! 

In Red 2, the high-octane action-comedy sequel to the worldwide sleeper hit, retired black-ops CIA agent Frank Moses (Bruce Willis) reunites his unlikely team of elite operatives - including former colleague Marvin (John Malkovich), ever-deadly sharp-shooter Victoria (Helen Mirren) and Frank's beloved Sarah (Mary-Louise Parker) - for a global quest to track down a missing portable nuclear device.

To succeed, they'll need to survive an army of relentless assassins, ruthless terrorists and power-crazed government officials, all eager to get their hands on the next-generation weapon. It's a mission that takes them to Paris, London and Moscow, where they cross paths with Frank's seductive former flame Katja (Catherine Zeta-Jones), as well as Bailey (Anthony Hopkins), a brilliant scientist from Frank's past. Outgunned and outmanned, they have only their cunning wits, their old-school skills, and each other to rely on as they try to save the world-and stay alive in the process.


So, to get your hands on a copy, all you have to do is fill out the form below and you're in the running! Don't forget, you can get yourself a bonus entry just by following us on Twitter or liking us on Facebook!






Entries close 11:59pm on Sunday 19th January 2014. Your details will not be used in any way other than for the delivery of your prize. Geek of Oz and Hopscotch do not take any responsibility for the loss, damage or delay of/to prizes sent to winners (blame Australia Post for that one). The judges decision is final and no correspondence will be entered upon. One entry per person, subsequent entries will be void. Incorrect answers will be void. Prizes are not redeemable for cash or any other kind of trading currency such as creds, latinum, sen, kan, zeni, double dollars or Ankh Morpork dollars. Geek Of Oz take no responsibility for head explosions caused by utter awesomeness. This competition is only open to Australian residents. Any questions or queries can be submitted through the comment section at the bottom of screen. Good luck!

Introducing the Newest Geek of Oz Member, Eve Beauregard!

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Photo by WhatABigCamera.com
Ryan: It's my absolute pleasure to introduce the newest member of the Geek of Oz family, cosplayer extraordinaire, Eve Beauregard!

First of all thanks for having a chat and WELCOME TO THE GEEK OF OZ CREW! What can we expect to see from you?

Eve: Delighted to be a part of the team! I’ll be writing about the many awesome aspects of cosplay, be it features and interviews of talented cosplayers, tutorials or any other hot topic in the community. I'm really excited to bring the world of cosplay through my eyes to Geek of Oz. 


We should probably start off with your origin story. How did you get your start in cosplay?

I attended my first convention when I was about 14 and have been thoroughly convinced ever since that cosplayers and other hardcore geeks are absolute rockstars. I couldn't wait to try my hand at it, so the next year at Supanova Pop Culture Expo I dressed as Poison Ivy. Looking back on it now makes me cringe like you cannot believe, but everybody starts somewhere! I've made about six different incarnations of Ivy since then.


From inception to final product, how long does it usually take to create a costume?

This is always a tough question because every costume is different, both in design and in priority. Sometimes I will spend months on something, for example there are countless hours of work in my Injustice: Gods Among Us Harley Quinn costume. I spent a lot of time getting the minute details of the costume down and hunting embellishments that replicated hers, first and foremost because I adore the character and wanted to do the best job I could but also because I planned to wear her to one of the biggest conventions of the year. I had to bring my A game! However other, simpler designs, the one that comes to mind is my Velma Dinkley, don’t require hours of pattern making and sewing to complete. I only made Velma for a quick, fun photoshoot and the time invested usually reflects the end use. 


Photo by WhatABigCamera.com
Considering how much time you spend on cosplay, what other geeky pursuits do you get in to?

I sometimes wonder how I find time to sleep with all of the things I'm into. I'm a huge film buff, a bookworm, a gamer, an artist and a writer. The great thing about cosplay is I get to utilise a lot of my creative skills in one hobby. I have a graphic and fashion design background, so I make all of my costumes, often create my own designs, storyboard photoshoots and edit nearly all of my own photos. I’m lucky enough to have a very collaborative working partnership with a fantastic Sydney photographer Kris Ezergailis of What a Big Camera, he lets me indulge all my creative urges through my cosplay photos!


Does this effect which characters you choose to portray?

Definitely. You’ll find that my costumes aren't just from comic books or games, but pretty across the board. The diversity of characters I fall in love with is a testament to how much time I spend in front of screens or with my head in books, haha.


If you had to choose one, which would be your favourite costume so far? Or is that like asking you to choose your favourite child?

That’s pretty difficult! It’s so hard to choose just one because they all have a lot of sentimental value to me. Every time I go out in costume I get to have so much fun and make great memories so regardless of the quality of the costume, the comfort level or how much I adore the character, I love them all. 


Photo by WhatABigCamera.com
Are there any characters that you'd love to portray but are too intimidated? 

Max Payne. 


Which characters are on your "to do" list?

Max Payne.
No, but really. My “future cosplay” list is so long I freak out a bit every time I look at it. Although in the near future I’ll be bringing to life some characters I've been wanting to portray for a very long time. Including but not limited to Zatanna, Triss Merigold, Femshep, Jinx of LoL and Inara Serra. 


I'm guessing that wearing a costume is only half the battle. How important is characterisation?

What’s so great about cosplay is that it’s so diverse. Everyone approaches it differently, some with more of an emphasis on crafting, some on characterisation, some on competing and so forth. Personally, if I’m happy with the work I’ve put into a costume I find that the characterisation comes naturally. It’s hard not to feel like a bad ass when you look in the mirror and see Lara Croft!


Photo by WhatABigCamera.com
Which other cosplayers should we be keeping our eyes on?

Some local favourites of mine are Ardella, Mad Maven and Something Wicked. Abroad, I’d be looking to TigerLily Cosplay of the UK, Aigue-Marine of Germany and Miss Sinister of the US.  


Awesome! Thanks again for your time, welcome to the family and I can't wait to see what you've got in store for us.


Thanks for having me! Can’t wait to get started. 

Saving Mr. Banks - Review

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I came away from Saving Mr. Banks in state of absolute calm. Possibly because the message I took from it is that as a studio, Disney seems to be interested once again in just telling stories. It’s a smaller scale film which boldly wears its Disney-shaped heart on its sleeve. The film looks at both the making of Mary Poppins and the events of author P.L. Travers (Emma Thompson) life which moulded the iconic story. 

Walt Disney (Tom Hanks) is taking his final shot at wooing P.L. Travers in order to obtain the rights to adapt her story into the classic film that we all know and love (well, you better damn well love). Ms Travers is concerned that her story will be completely destroyed by the process and is hell-bent on rejecting all advances made her way. It’s during this rocky courtship that Travers starts to reflect on her own life and why she is clinging so tightly to her characters.


The film is essentially told through two narratives that we flit between by way of flashbacks.  The plot following Disney’s attempt to secure the film rights is handled with a lighter, slightly comical tone whereas the flashback sequences which take place in rural Australia have more dramatic weight to them, both of which I found completely engaging. This is a simple story without too many twists or turns and I’m perfectly happy with that.

The performances are the major asset of this film. It’s refreshing to see two seasoned actors at the top of their craft going toe to toe; Emma Thompson and Tom Hanks make for wonderful combatants. Their exchanges reminded me of Spencer Tracy and Katharine Hepburn trading blows in Desk Set (1957). Colin Farrell (In Bruges) and Ruth Wilson (The Lone Ranger) play Travers’ parents. Wilson’s Australian accent is one of the most convincing I’ve seen; she’s an actress I’m eager to see more of. Farrell brings warmth and charm to the story as the constant source of fun and imagination for young Travers, a role well suited to him. Jason Schwartzman, Paul Giamatti, Bradley Whitford and Rachel Griffiths are all fun in their supporting roles. There’s a sincerity to the performances which encapsulates that heart-warming Disney feel of yesteryear.  

As I eluded to in my Frozen review , Disney now owns nearly all of the major franchises, from Star Wars and Marvel to Indiana Jones. Throughout this film, Walt Disney is practically begging P.L Travers to entrust her story to him, so that he can share it with the world. This film could easily be read as an open letter from Disney to all the fan-boys and -girls out there worried about how Disney will handle their new acquisitions. Based on this film and what Disney has achieved over the past few years, I believe we are at the start of another golden era for the studio. Saving Mr. Banks will hopefully leave you happy and content. It’s a feel-good film that you can’t help but be swept away by.


Saving Mr. Banks hits cinemas on the 9th of January, if you see the film and agree or disagree with my thoughts feel free to drop a line below.

- Stu




Ubisoft Announces Far Cry: Wild Expedition

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Ubisoft, one of the most consistently gaming publishers, have just announced the release of the collected Far Cry works in Far Cry Wild Expedition. Upon its release in 2004, Far Cry was one of the most graphically advance games on the market. Never before had landscapes looked so lush and realistic. Add to that some fantastic gameplay and an increasingly creepy story line and you had one of the best gaming experiences of the generation.

Thankfully, Ubisoft have decided that current gen gamers should have the opportunity to experience all the fun for themselves.

UBISOFT ANNOUNCES Far Cry® Wild Expedition, A 10-year anniversary compilation 
Far Cry Classic To Be Released As XBLA/PSN Standalone On February 13th 

SYDNEY, AUSTRALIA — January 10th 2014 — Ubisoft has announced that to celebrate the 10-year Anniversary of the Far Cry® franchise, a complete compilation called Far Cry Wild Expedition and including Far Cry Classic, Far Cry 2, Far Cry 3 and Far Cry 3: Blood Dragon will be released in Australia and New Zealand. The compilation will be available on February 13th, 2014 for the Sony PlayStation®3 Computer Entertainment System and Xbox®360 at the price of AUD$59.95 and PC at the price of AUD$49.95. 

In addition to the release of this retail compilation, Far Cry Classic will be available on February 13th as a standalone downloadable title for the Xbox LIVE Arcade and the Sony PlayStation Network.

Each Far Cry game included in the Wild Expeditions compilation offers a unique storyline and setting that will keep gamers playing for many hours and experiencing the expansive open world beauty, original narrative and the memorable characters combined with Far Cry’s classic FPS gameplay. 

Far Cry Classic - Far Cry Classic is the premiere and ultimate console version of the very first Far Cry game. Take the role of charter boat captain, Jack Carver, who finds himself hunted by an unrelenting team of highly trained mercenaries in this nature-gone-wrong FPS adventure. This HD revamp features stunningly realistic foliage, real-time day and night cycles, drivable underwater, commandeer, or even flying vehicles, and more...

Far Cry 2 – Caught between two rival factions in war-torn Africa, you are stricken with malaria and forced to make deals with corrupt warlords on both sides of the conflict in order to hunt down your mark – The Jackal. This version includes the full single-player campaign and Multiplayer. 

Far Cry 3 – Beyond the reach of civilization lies a lawless island ruled by violence and human suffering. This is where you find yourself stranded, caught in a bloody conflict between psychotic warlords and indigenous rebels, where your only escape is through drugs or the muzzle of a gun. Includes the full single-player campaign, Multiplayer, and Co-op modes.

Far Cry 3: Blood Dragon – The year is 2007. It is the future. You are Sergeant Rex Colt: Mark IV cyber Commando. Earth has been ravaged by a nuclear war, which erupted in the 90s. Get the girl, kill the bad guys and save the world. Includes the full single-player campaign. “Packed with entertaining action and hysterical writing, Far Cry 3: Blood Dragon is an ‘80s-inspired blast.” – Kevin VanOrd, Gamespot.

Conan Volume 14: The Death - Review

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Writer Brian Wood is doing some great things with his run on Conan. Even an ever changing roster of artists can't dampen what is turning out to be a real winner for Dark Horse Comics. Conan Volume 14: The Death continues this phenomenal series by collection issues 7-12. Although this volumes does stand well on its own, I'd highly arise reading Conan Volume 13: Queen of the Black Coast beforehand. It's not essential in order to understand what's to come, but does assist in giving significantly more weight to what transpires.

Funnily enough, Wood has taken Conan and turned it into somewhat of a romance novel. The relationship between Conan and Belit takes centre stage in both this and the previous volume, being complimented rather than overshadowed by the action and violence that takes place. Rather than detracting from the elements of high-adventure, Wood's emotionally focused approach enhances the experience. Bloody battles and dangerous journeys are so much more intense when you're emotionally invested in the characters involved in them.

The story opens with Conan taking his lover, the Pirate Queen Belit, to his homeland, Cimmeria. Where you or I might bring a girl home to meet our parents, Conan takes Belit with him so she can assist him in killing a murderous warlord who has stolen his name. It's all very romantic stuff. What follows is an emotionally fuelled tale that pushes Belit and her love for Conan to its limit. Wood is quick to play with the fact that in the harsh wilds of Cimmeria Belit's reputation and infamy hold no value. She is an unwelcome stranger not used to the dangers of the Conan's homeland.

Bringing Wood's script to life is the art of Becky Cloonan (Chapter 1), Vasilis Lolos (Chapters 2-3) and Declan Shalvey (Chapters 4-6). Cloonan's artwork was definitely a stand out for me with her thick primal lines and delicate facial gestures. Her Conan, significantly younger and skinnier than many of his previous incarnations, is almost pretty yet still maintains a visual fierceness. Lolos and Shalvey both bring their artistic A-game but it's hard not to compare their art to Cloonan's as she really sets the tone for the volume.

All three artists favour a sparse, shadow heavy style with an emphasis on the immediate action of the foreground rather then background details. It's an interesting change from the lush intricate artwork, often painted, that we usually associate with Conan. For the most part it works although there where a few panels and splash pages where I found myself craving a bit more background detail. The earthy pallet of colorist Dave Stuart ties it all together
and brings a sense of visual continuity to the volume.

So there you have it. Two volumes in and I'm still loving Wood's Conan. It's a little bit innovative, a little bit fresh and a little bit different but mostly it's very much Conan. If you like swords, sorcery and high-adventure then you’re going to love this.

- Christof


Massive Madman Giveaway

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Thanks to our pals at Madman we've got some of newest and coolest anime to give away. All you have to do is fill out the form below and you could win one of the following:

Sword Art Online Volume 1 & 2 (Blu Ray or DVD)
Guilty Crown Collection 1 & 2 (Blu Ray or DVD)
Michiko and Hatchin Collection 1 & 2 (Blu Ray or DVD)

That's right! You'll get volume 1 & 2 of one of the cool series listed above. All you have to do is fill out the form below and you're in the running. Don't forget, you can get yourself a bonus entry just by following us on Twitter or liking us on Facebook!



Entries close 11:59pm on Sunday 26th January 2014. Your details will not be used in any way other than for the delivery of your prize. Geek of Oz and Madman do not take any responsibility for the loss, damage or delay of/to prizes sent to winners (blame Australia Post for that one). The judges decision is final and no correspondence will be entered upon. One entry per person, subsequent entries will be void. Incorrect answers will be void. Prizes are not redeemable for cash or any other kind of trading currency such as creds, latinum, sen, kan, zeni, double dollars or Ankh Morpork dollars. Geek Of Oz take no responsibility for head explosions caused by utter awesomeness. This competition is only open to Australian residents. Any questions or queries can be submitted through the comment section at the bottom of screen. Good luck!

Kokoro Connect (TV) Blu Ray Review

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Somewhat of a cross between Freaky Friday and K-On!, Kokoro Connect is a fun, sometimes cringeworthy series about a bunch of friends who try to maintain their secrets and composure after body-swapping with friends.

"There’s a student exchange problem in the Cultural Study group.
You’ve heard of foreign exchange in high school, but body exchange? 

Having seemingly been caught up in the whims of a supernatural character called Heartseed; Taichi, Iori, Himeko, Yoshifumi and Yui are about to learn more about each other than most. Not only are they switching bodies, they’re switching genders!

Now they’re truly discovering things about each other, including stuff that go beyond basic anatomy. Every member of the Cultural Study group is hiding something, but how long can it stay a secret when their body is no longer their own, and they can't keep watch 24/7?

It just might be time for them to face their demons" - Hanabee

The cringeworthy moments in this series are totally deserved and they're delivered on purpose. The thought of High School friends swapping bodies with their friends while retaining their personality is bad enough but, you know, boys... Yep. It's these sort of moments that make your skin crawl but they also lead to some pretty good character developments with certain members of the group acting in contradiction to what you'd expect. Considering that this is only a 13 episode series, there's a fair amount of character development, more than enough for the characters to grow on you and to become emotionally invested in them. In To Kill a Mockingbird Harper Lee wrote, "you never really understand a person until you consider things from his point of view, until you climb in his skin and walk around in it". My English teacher would be so proud!

Unfortunately, the entire premise is built upon a flimsy foundation with supernatural elements that are never fully realised and just seem to get in the way. The wackiness does start and finish with body-swapping, which is another slight frustration. Being a 13 episodes series, a more basic story would have been advantageous. Instead of switching from one supernatural trope to another, we could have been treated to a more drawn out, in depth look at the effects of these situations on each character. That said, for all of the chopping and changing, the characters are rather well developed and manage to be the highlight of the series.

There are some striking visual similarities between the characters in
Kokoro Connect and the gals from K-On. At first I assumed (wrongly) that it must have been because of the studio but it turns out that Kokoro Connect isn't animated by Kyoto Animation at all (wrong again). Instead, the similarities are due to the involvement of Yukiko Horiguchi who worked as the character designer for the Kokoro Connect visual novel series, and as a character designer on K-On! for Kyoto Animation. While the animation and character designs are great, the similarities in setting and aesthetics sometimes make it hard to discern the two series. That said, long time readers of Geek of Oz will know that I was a massive fan of K-On! so it's not all bad. The animation quality is, for the most part, quite good. Never to the lofty standards that we've become used to, but it never wavers from above average.

Kokoro Connect isn't a bad series by any measure. The story is engaging, the characters well developed and the animation is pretty darn good. Sadly, it could have been so much better. For a series with 7 different theme songs there is nothing remarkable about either the theme songs or the score. Furthermore, the sheer volume of supernatural genre tropes that are squeezed in wind up detracting from the story and disrupt the series' pacing making for a good series that could have been great.

- Ryan




Kokoro Connect the OVA is available now on Blu Ray and DVD

47 Ronin Audio Review

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After the screening of 47 Ronin tonight Christof, Stu and Ryan sat at Geek HQ (Ryan's car) and recorded their thoughts for an audio review. Then, not content with their rambling, they recorded a super spoiler rant about certain elements of the film. Be warned, don't listen to the second audio file unless you're fine with spoilers because it's riddled with them!

Click the play button below to stream it from your desktop or right click HERE to download our review.


Click the play button below to stream our rant filled dissection of certain scenes in the film or click HERE to download it. Be forewarned, it is FILLED with spoilers.



We also filmed some of the recording process for your viewing pleasure...

The Witcher 3 Gets Aussie Release by Bandai Namco Games

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Those of us who have already made the jump onto next gen consoles can start to cheer because 2014 is looking to be an insane year for games. The Witcher 3: Wild Hunt doesn't even have a release date yet but it's still earned 88 gaming awards! It's east to see why it's so highly regarded. The previous games were fantastically rich, brutal and polished so this pending incarnation should be incredible.

Luckily for Aussie gamers, The Witcher 3: Wild Hunt has been confirmed for a local release by the good folks at Namco Bandai Games.


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SYDNEY, AUSTRALIA – January 16th 2014 – CD Projekt RED, the developer and publisher behind the highly anticipated fantasy RPG The Witcher 3: Wild Hunt, is excited to announce that NAMCO BANDAI Games Australia and New Zealand, a leading video game publisher, developer and distributor, will distribute the third part of The Witcher saga and join the studio in bringing the series to the key markets of Australia and New Zealand. Namco Bandai will exclusively distribute and promote the game in these territories.

We’re really excited to continue to develop our relationship with NAMCO BANDAI Games and, as a result, introduce The Witcher 3: Wild Hunt to even more gamers across the globe. Thanks to our shared passion for games and our partner’s understanding of what core values constitute The Witcher series, I’m confident we can make the launch of The Witcher 3 something really special,” said Adam Badowski, Head of Studio, CD Projekt RED.

“CD Projekt RED is a world class developer that cares passionately about its games and its fans.  We are therefore delighted and proud to again be their chosen partner in Australia and New Zealand and we are very excited to add the eagerly awaited ‘The Witcher 3: Wild Hunt’ to our 2014 line-up.’ said Gerard Noonan, SVP, NAMCO BANDAI Games Asia Pacific. “The Witcher series is one of the industries most revered video game franchises and with the power of the new generation of consoles we expect CD Projekt RED will take the series to even greater heights”

The first installment in the Witcher series was released in 2007 for the PC. The second installment hit the PC market in 2011 and was released for the Xbox 360 games and entertainment system from Microsoft a year later. The two games received over 200 awards. In February 2013, CD Projekt RED announced The Witcher 3: Wild Hunt, which is scheduled for a 2014 release and has garnered over 88 awards so far. The game will be released simultaneously for the PC and next-generation consoles: PlayStation®4 and Xbox One.

Win RIDDICK on DVD

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Thanks to the good folks at Roadshow, we've got 4 copies of the action packed RIDDICK to give away on DVD.

Richard B Riddick, the baddest metallic eyed mofo this side of Gliese 581 is back and he's madder than ever. Comparable to the original sleeper hit, Pitch Black, Riddick sees the Furian outlaw alone and fighting for survival on a distant planet which is nearly as dangerous as he is.

All you have to do is fill out the form below and you're in the running to win a copy. Don't forget, you can get yourself a bonus entry just by following us on Twitter or liking us on Facebook!



Entries close 11:59pm on Sunday 2nd February 2014. Your details will not be used in any way other than for the delivery of your prize. Geek of Oz and Roadshow do not take any responsibility for the loss, damage or delay of/to prizes sent to winners (blame Australia Post for that one). The judges decision is final and no correspondence will be entered upon. One entry per person, subsequent entries will be void. Incorrect answers will be void. Prizes are not redeemable for cash or any other kind of trading currency such as creds, latinum, sen, kan, zeni, double dollars or Ankh Morpork dollars. Geek Of Oz take no responsibility for head explosions caused by utter awesomeness. This competition is only open to Australian residents. Any questions or queries can be submitted through the comment section at the bottom of screen. Good luck!

The Wolf of Wall Street Review

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For his latest film, The Wolf of Wall Street, Martin Scorsese adheres to the old adage: ‘if it ain’t broke, don’t fix it’. The diminutive maestro has been cranking out epic crime films for the past forty years. The Wolf of Wall Street is draped in debauchery and proudly indulges in oodles of sex, drugs and naughtiness whilst still acting as a searing indictment of what damage Wall Street traders were able to do throughout the late 80s and into the 90s. This is the kind of film which will either make you hate corporate corruption or go out and buy some shares.

Based upon Jordan Belfort’s autobiography of the same name, the film tracks his rise to prominence off the back of some ingenious yet shady loopholes within the stock market. On the way up the corporate food chain, Belfort brings along his closest friends Donnie (Jonah Hill), Brad (Jon Bernthal), Chester (Kenneth Choi) and Nicky (P. J Byrne), all good New Jersey boys who blindly follow the charismatic Belfort through thick and thin. Belfort and his crack team of knuckleheads take Wall Street by force with a unique sales technique resulting in an unorthodox workplace culture. It’s not long after Belfort starts to make his mark that his name ends up across the desk of F.B.I agent Patrick Denham (Kyle Chandler). The levels of depravity left me a little gobsmacked at times, but much like a car accident I couldn’t look away from, I needed to see where the absurdity would take us and I was never disappointed. Scorsese never shows us what happens to the victims of the group’s misdeeds, which keeps the tone fairly light.

From beginning to end, Leonardo DiCaprio owns every inch of this film. At times it looks as if he’s struggling to contain his sheer joy at what he’s doing on screen. I’ve long admired his work but he tends to have an air of seriousness about him, like he’s forgotten to have fun. In this film, he’s all fun, especially several scenes of pure physical comedy. I don’t wish to spoil anything except to say, the Quaaludes scene … you’ll know it when it happens. Brilliant. Jonah Hill is great as Belfort’s right hand man: think a portly Joe Pesci minus the usual Scorsese-injected psychotic tendencies. Hill is a very funny man, but it’s the moments of sincerity that he shares with DiCaprio that really impressed me. Margot Robbie shines in a tricky performance, where she carries the burden of being an object of sexual desire whilst being an emotional barometer for how low Belfort ultimately sinks. Once the fanfare for this film has passed, I really hope she is remembered for her promising acting chops and not just for her scenes in the buff. Kyle Chandler and Rob Reiner are great in their supporting roles. Matthew McConaughey gets approximately four minutes screen time but will leave you begging for more. 

The film weighs in two minutes shy of three hours, but don’t let this dissuade you from seeing it. The films clips along at such a frantic pace you’ll hardly notice it. I wish more directors had the guts to tackle the longer-arcing story lines. Sadly it feels like it’s a hallmark of a bygone era.

This is comedy and not to be taken too seriously. It lampoons the ridiculously adolescent behaviour of some infamous Wall Street traders and the culture of greed which allowed them to exist. It’s an epic on par with Casino and Goodfellas and well worth checking out. The Wolf of Wall Street hits cinemas this Thursday, if you see the film and agree or disagree with my thoughts feel free to drop a line below.

- Stu


Guilty Crown (Blu Ray) Review

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It's always refreshing when an anime series comes along that transcends fanboy hype, grabs you by the face and demands your attention. That series is Guilty Crown. Like a Eden of the East/Code Geass hybrid, Guilty Crown builds a world which is both instantly identifiable and futuristically foreign.

"Shu's entire world was shattered after a meteorite crashed into Japan, unleashing the lethal Apocalypse Virus. The chaos and anarchy born of the outbreak cost Shu his family and reduced him to a timid, fearful shell of the boy he'd once been. His life took another unexpected turn after a chance encounter with the stunning pop star, Inori. This mysterious beauty introduced Shu to the King's Right Hand: a genetic mutation that allows him to reach into hearts of mortals and turn them into weapons." - Madman

Firstly, I can't believe that "From the Director of Attack on Titan" isn't plastered all over every piece of marketing for this series. Secondly, thankfully it isn't. Guilty Crown is better than that. This series, while somewhat lacking in originality, manages to thrill due to how unrepentantly bold it is. Unfortunately this boldness is at sometimes a detriment to the pacing and overall flow of the story. Director Tetsuro Araki and writer Hiroyuki Yoshino seem intent to keep you guessing through the entire series and like George R.R. Martin before them, they don't shy away from killing off major characters with little to no notice.

The tone of the series never really wavers from its continual climb towards an overarching sense of foreboding which comes to a head throughout the last act, but instead the characters develop with sometimes catastrophic effect. Not only does this keep your attention, but also leaves you struggling to keep up with each twist and turn but never quite to the point at which the story would become convoluted. Instead, these plot twists almost demand a follow up viewing. The characters are all rather well realised in spite of the sizeable cast, which lends even more weight to those shocking despatches.

With animation from Production I.G you just know that it's going to look fantastic and this series won't disappoint. Further to this, there are a few little nods to fans of the studio with certain poses and, the most recognisable, the use of thermal imaging camouflage. Major Motoko Kusanagi anyone? A few of the backgrounds, particularly when CGI is used, can look a little out of place but the overall animation quality is fantastic, particularly the gradual shift from near future Japan to dystopian war zone. Of course, with animation this pretty Blu Ray would be the recommended format for viewing.

The music has flashes of brilliance but is for the most part lacklustre which is, to be honest, terribly disappointing considering Hiroyuki Sawano's brilliant work on the Blue Exorcist soundtrack. Add to this the unnerving auditory embodiment of the uncanny valley in Supercell's opening and closing themes and you've got a bit of a train wreck. The soundtrack isn't necessarily bad, it's just not particularly good. It seems odd then that the story, which highlights the utter ugliness of the human condition through many a tired cliche, seems to be executed so well. Guilty Crown is as enjoyable as it is due to its execution more so than its composition.

Sure, Guilty Crown borrows heavily from well established science fiction tropes but it gets away with it in no small part due to the sheer chutzpah displayed. Bold, brash and ballsy, Guilty Crown is an action-packed, twist-a-minute series which is damn pretty to boot! One thing that Guilty Crown delivers in spades is a great crescendo and eventual pay off, a finale that will leave you equally pleased and emotionally exhausted.

- Ryan


Guilty Crown Collection 1 and 2 are available on DVD and Blu Ray from Madman now.

Win an AWESOME RoboCop Prize Pack

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Thanks to the fine folks at Sony Pictures we've got 5x AWESOME prize packs to give away to celebrate the release of RoboCop in cinemas from February 6th. Each lucky winner will receive the following:

1x double in-season pass to see the film
1x ROBOCOP bottle opener in the shape of RoboCop's helmet
1x RoboCop magnet

In RoboCop, the year is 2028 and multinational conglomerate OmniCorp is at the center of robot technology. Overseas, their drones have been used by the military for years, but have been forbidden for law enforcement in America. Now OmniCorp wants to bring their controversial technology to the home front, and they see a golden opportunity to do it. When Alex Murphy (Joel Kinnaman) – a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit – is critically injured, OmniCorp sees their chance to build a part-man, part-robot police officer. OmniCorp envisions a RoboCop in every city and even more billions for their shareholders, but they never counted on one thing: there is still a man inside the machine.

Starring Joel Kinnaman, Gary Oldman, Michael Keaton, Samuel L. Jackson, Jay Baruchel and Abbie Cornish. Directed by José Padilha. 

All you have to do is fill out the form below and you're in the running to win one of these awesome prize packs. Don't forget, you can get yourself a bonus entry just by following us on Twitter or liking us on Facebook!


  
www.RoboCopMovie.com.au

ROBOCOP ©2014 Metro-Goldwyn-Mayer Pictures Inc. and Columbia Pictures Industries, Inc. ROBOCOP ™ Orion Pictures Corporation. All Rights Reserved. 


Entries close 11:59pm on Sunday 2nd February 2014. Your details will not be used in any way other than for the delivery of your prize. Geek of Oz and Sony Pictures do not take any responsibility for the loss, damage or delay of/to prizes sent to winners (blame Australia Post for that one). The judges decision is final and no correspondence will be entered upon. One entry per person, subsequent entries will be void. Incorrect answers will be void. Prizes are not redeemable for cash or any other kind of trading currency such as creds, latinum, sen, kan, zeni, double dollars or Ankh Morpork dollars. Geek Of Oz take no responsibility for head explosions caused by utter awesomeness. This competition is only open to Australian residents. Any questions or queries can be submitted through the comment section at the bottom of screen. Good luck!

Eve Beauregard Interviews the Amazing Ardella

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Eve: I’m here with the amazing Ardella! A highly experienced and talented costumer, Ardella has been a cosplay inspiration for me since I went to my first ever con in costume and saw her as Poison Ivy. You might know her as Power Girl, Jessica Rabbit or Black Canary! Today we’re going to be having a chat about being a cosplay role model and the ins and outs of the cosplay community both online and in person.

So first of all, hello and thank you for sitting down with me for Geek of Oz!

Ardella: Hello!

You've been cosplaying for a long time now and you’re quite established within the Australian cosplay scene. What is it about cosplaying at events and conventions that keeps you coming back?

It doesn’t seem like that long to me! I’m still shocked when I realise it’s been seven years since I attended my first convention. What drew me to my first convention was the fact that my favourite voice actor at the time was going to be there. What kept me there were the people. 

Conventions bring together people from all walks of life and all different fandoms. Being in costume really opens you up to meeting new people. It’s like wearing a highly visible badge that says, “I’m into <insertfandomhere>, come talk to me about it!”

What would you say is the major difference between the cosplay community online and in the “real world”?

I think that, in all things, being online and having the opportunity to remain relatively anonymous will always have the potential to bring out the worst in people. In reality, I've found the cosplay community to be overwhelmingly welcoming and friendly. Online I find that the majority of people in the community are still supportive and uplifting, but there are some who seem out purely to tear others down. It can be depressing at times, because one nasty comment can often hit you harder than ten positive ones.

The online cosplay community is also far more varied than anything you could hope to find in real life, spanning the entire globe and bringing together people from entirely different continents and backgrounds with totally different value systems. I think the diversity of this global cosplay community is one of the things I love most about it.

All cosplayers use social media in vastly different ways. One thing that I've noticed is that you always present a welcoming, informative attitude on your page and your fans love you for it. Do you feel a certain level of responsibility to be a role model in the community given that for a lot of people you are such an important part of it?

I think I grew up being the eldest in a family of lots of kids so I learnt to take on responsibility from a very young age. I would never say that I’m a leader in the cosplay world - there are many people out there far more talented and qualified for that sort of role than myself – but when you have more than 20,000 people following what you’re doing I think it’s impossible not to feel a bit of responsibility for what you present to the world!

I've always believed in presenting yourself the way you would expect others to treat you. I want others to treat me with respect and dignity, understanding that I have a brain as well as a body, so I try my best to show that in the way I post online. If people are looking up to me as a role model, I would hope that they would be able to see a strong, independent woman capable of expressing a well-reasoned opinion and cosplaying some incredible characters. Those two things should never have to be mutually exclusive.


I’ve been told in the past that people are surprised when they meet me in person that I’m not at all serious. I guess the way I present myself online is not as over the top crazy as I can be in real life! There’s a lot that can’t be properly conveyed through text, though, so sadly sometimes my nuttiness has to be dialed back in favour of getting my point across.


Speaking of internet-land, you’re quite a regular on YouTube these days! Tell us a little bit about Planet of the Capes and how you give back to the cosplay community through Kapow.

Kapow is a wonderful YouTube show that focuses on comic books and everything associated with them. Last year they approached me to present my own show as part of the Kapow family dedicated to cosplay. I, of course, was very excited to be involved!

It was really important to me when I first started writing Planet of the Capes that it be a medium for relatively unknown cosplayers to gain more well deserved recognition. I believe the cosplay community is wonderfully diverse and full of incredibly talented people and really wanted to highlight that in the show. I usually feature one or two amazing cosplayers in each episode, or interview a more local member of the community about cosplay related things they’re connected to – like the 501st Legion, for example.

Throughout the first season of Planet of the Capes, I demonstrated some quick tutorials and cosplay tips of my own. We also followed the creation of my Twilight Princess Zelda costume from the very start to it’s debut at a convention.


The second season has just started up over on the Kapow YouTube channel and this time I wanted to try a new direction, with more audience participation! We still feature incredible cosplayers and answer cosplay related questions, but each episode we also focus on discussing a particular topic surrounding the community. Often I’ll have guests join me to talk about these things as well, and I’m really looking forward to discussing them in the comments with everyone! The first episode is up now with a focus on the “cosplay celebrity” phenomenon. It’s got a special guest interview with someone we all know.

I wonder who that could be! So as a writer of tutorials, do you often find yourself looking up tutorials and how-to guides when planning a cosplay?

I’m always looking up tutorials and step by step creations done by other cosplayers – even when I haven’t got any particular cosplays in mind myself! I always find the amazing creativity of others inspiring. Often when I've been feeling unmotivated, browsing other people’s costumes really brings back the momentum I need to keep working.

I don’t think I've ever really used one single tutorial in the creation of my costumes. Everything I make is usually a crazy amalgamation of ideas I've taken from tonnes of different sources. Sometimes it works really well, other times… not so much. It’s all part of the learning experience though.


All aspects of costuming are such a continuous learning experience. What’s the most important part of cosplay to you?

This is a tricky question to answer! Cosplay is an amazing hobby, and that is what it will stay to me. It’s never been about anything other than doing what I love. As long as I’m getting joy from what I do, I think I’m doing it right. As soon as it starts to feel like a job or a chore, I know it’s time to step back.

As I've gained more of a following online, I've found added fulfillment in knowing that I’m also bringing joy to others through my cosplay. That doesn't necessarily mean I cosplay for anyone other than myself, but it’s always nice to know that other people are also enjoying what you do.

Where would you like cosplay to take you in the future?

Space.

But really, I've always wanted to travel. I've simply never really had the opportunity to do so in the past. I would love to be able to attend conventions and meet like-minded people from all around the world. It would be so amazing to make that online cosplay community something I could experience in person.

At the end of the day though, as long as cosplay is still bringing me joy, happiness and friendship, I can’t really ask for much more!

Well, thanks so much for your time Ardella. It’s been a pleasure chatting to you as usual! I look forward to following your future costuming endeavours and learning from you along the way.

No, thank you!

You can follow Ardella on Facebook and watch Ardella’s cosplay show Planet of the Capes on YouTube.

X-men Battle of the Atom HC Review

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I'm not usually a big fan of events. It doesn't matter who's writing it or what characters are starring in it, I always walk away at very least a little disappointed. So naturally I came into 'Battle of the Atom' with skepticism. Even with Brain Micheal Bendis' current flawless runs on 'All New X-men' and 'Uncanny X-men' I've been hurt too many times before to dive into a new event without any reservations. And I was right to be a bit nervous, as 'Battle of the Atom' is a highly entertaining albeit confusing affair.

Marvel's 'Battle of the Atom' hardcover collects the entire 'Battle of the Atom' event (All New X-men #16-17, Uncanny X-men #12-13, Wolverine and the X-men #36-37, X-men: Battle of the Atom #1-2 and X-men #5-6). Although Brian Wood and Jason Aaron script their usual X-men series for the event (X-men as well as Wolverine and the X-men respectively), it's obvious that this is very much Bendis' show and Bendis' voice. I don't mean this as an inherently bad thing rather just pointing out that it read like more of a case of Aaron and Wood writing for Bendis rather than with him.

Which leads me to my second point about how this event is covered. 'Battle of the Atom' spans ten issues, only two of which are actually called 'Battle of the Atom'. Instead, the story is told across four different X-books, each continuing the story for two issues. I can only assume this was done to speed up release dates but it sure does make this story confusing to collect if you want to read it in singles. Fortunately these are all neatly collected in the hardcover edition in reading order.

Like the writing team, the team on art duties is a mixed bag who deliver a reasonably cohesive visual experience. Frank Cho, Stuart Immonen, David Lopez, Chris Bachalo and Giuseppe Camuncoli all deliver high-energy superhero art in a very mainstream style. Although Immonen and Bachalo were the standouts for me,  each artist brings the right amount of their own flavour to the portion that they illustrate. Enough to make it memorable but not so much as to make it seem detached from the rest of the story.

Anyway, it's about time to discuss what actually takes place in the event. Time being the keyword in that statement. Yep, it's another Bendis time travel extravaganza! After All New X-men and Age of Ultron you'd think he would be out of ideas to further entangle the Marvel time stream. Well, you would be wrong.

The action kicks off when a group of mutants, professing to be the X-men of the future, arrive at the Wolverine run Jean Grey School for Higher Learning. The mysterious visitors, made up of Molly Hayes, Deadpool, Charles Xavier's grandson, an elderly Beast, Kitty Pryde and Jean Grey, claim that something truly terrible will happen if the original X-men aren't returned to their proper time. This, of course, launches all of the X-men into a clash of ideologies and methodologies as they each have their own ideas as to what should happen to the time-displaced original X-men.

What follows is much X-men on X-men action as 'disagreements' inevitably ensue between Scott and Wolverine's rival mutant teams. As much as I know mutant infighting isn't anything we haven't seen before but it is bloody entertaining to watch and the witty back and forth between characters (particularly  Iceman and Deadpool) makes the whole experience highly enjoyable.

But here's the thing: as much as I had fun reading Battle of the Atom, I still have no idea what the 'take home message' of the whole thing is. Lots of questions are raised, but no clear answers are given. Instead we are bombarded with meaningless fight scene after fight scene with some poorly developed consequences tacked onto the end in the event's closing pages.

To put it bluntly it works as an event on the level that it moves the X-men universe into a new phase, setting the scene for more great stories, but beyond that it is nothing more then an entertaining mess.

If you've been following Bendis' X-men run then this is a must read  for the sake of continuity but for anyone else I would advise giving it a miss.

- Christof

Paranormal Activity: The Marked Ones - Review

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Paranormal Activity: The Marked Ones, is the fifth film in the super-low-budget found-footage horror franchise. This instalment moves away from the CCTV style footage of its predecessors, with the action being captured by way of a hand held camera which is sloppily written into the film. I will openly admit that I am not a fan of this horror sub genre, it’s a style which takes me completely out of the experience and diminishes the effect of the jump scares usually because they are  from a fixed view point. This film left me fairly underwhelmed, its unoriginality doesn’t bode well for future films in the series. 

This could affectionately be considered the ‘Latino’ spin off, as the film departs from the established characters to focus on a Hispanic family in California. After graduating high school Jesse (Andrew Jacobs) for reasons unknown grabs his father’s new camera and starts filming every waking moment of his life, with best mate Hector (Jorge Diaz) along for the ride. The two scallywags get themselves into all sorts of hijinks with their camera, until they stumble across their spooky neighbour practicing witchcraft, which, yep you guessed it ,our boys need to go investigate. The next morning Jesse wakes up with some peculiar scratches on his body and strange new powers, and that’s when things get a little bit weird … there are witches … curses …yawn
I’ll let you in on a little secret, I haven’t seen any of the Paranormal Activity films, and probably won’t anytime soon. So I don’t know how this fits into the overall franchise and to perfectly honest I don’t care. I’m not here to pass judgement on the entire series. The premise of this film is so basic that felt like a fan made effort bound straight for youtube. The action is spread so thin it barely justified the meager running time, which alarmingly is only 84 minutes long. The predictability and lack of tension whilst at first was a mere nuisance by the end of the film became excruciating, at several moments i was tempted to check my watch to find out how much i had left to endure. The fault lays squarely at the poor direction and overly simplistic story, director Christopher Landon has a long way to go as a storyteller, but in fairness this is only his second feature.
Undoubtedly fans of the franchise will get a kick, but for the uninitiated like myself i suggest you give it a wide berth. There are far better horror films out there to sink your teeth into. This is just the result of another franchise being squeezed for every wretched penny.

- Stu



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