NOTE: The version played for this in-progress review, while not the final commercial release, is pretty close to the finished product. A final review addendum and score will be added closer to the release date; the following review will be left as is, but any major changes or differences to the final game will be noted in the addendum.
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'I may be but small, but I shall die a colossus.' - Lord of Cinder.
Dark Souls III is everything you could be wanting from a From Software game. It balances the tonal feel of the first game, the better player orientation of the second, and the faster combat of Bloodborne. It is, in every sense, a From Software "Best Of Gameplay", a number of excellent factors struck through with an enticing plot, sumptuous visuals and killer sound design.
Sounds perfect, right? Well, maybe, but only if you're a certain kind of person. We'll get to that.
What little narrative is given at the outset is fairly straightforward: as with the first two games, a mythical, faraway land has been left desolate by the abandonment and corruption of its leadership. The five lords who rule over Lothric have either vanished or turned evil, and it's up to you - a neophyte revenant who levels up by consuming the souls of monsters - to find them and restore Lothric to its former glory.
Now, part of what bugged a number of players about the last game was its overreliance on the story of restoring the land of Drangleic. The first game's allure derived from the story existing in the margins; rather than being the focus, it was a frame around your endurance tests as you slaughtered greater numbers of the undead. The keen focus on story in Dark Souls II seemed disingenuous to the mystique the first game's ambiguous plot afforded. Thankfully, it's a lesson Dark Souls III seems to have taken to heart; we're largely back to hints of the world being offered to us rather than clubbing us unconscious.
There's not a lot more I can say about story - not just because this is a Souls game, and plot isn't necessarily its main draw card - other than that it interested me more than the story of Dark Souls II did. It's evident From Software have struck a delicate balance between too much and not enough plot: a Goldilocks story, you might say.
As veterans of the series are fully aware, the bread and butter of a Dark Souls game is the gameplay. You're here to pit your wits against numerous beasties with increasingly hideous appearances, and to deploy your patience as you die to them an infinite number of times.
As I mentioned at the start, Dark Souls III has taken the combat approach from the previous games and amped it up a bit with Bloodborne-style ease of movement and dodging. The gameplay is certainly more fluid than previously: where you were previously locked into completing an attack once you started it, meaning monsters could shank you unawares while stuck in your combat animation, the game now allows you to break out of that a little easier.
Battles never feel arduous, and the pace is nicely kept once you get the hang of the controls (which are largely the same as Dark Souls II). Heavy attacks are now chargeable, meaning you can swing that mace with a little extra elbow grease to knock some zombie heads off, and the magic system uses a Focus Meter that feels simpler than the series' previous approach to spell attacks.
What more I could say about gameplay would be repeating a lot of what I mentioned in both my review of the second game and my first impressions of this one. It's Dark Souls, meaning it's a slog against lots of nasties all trying to eat your face off. The core of the game is largely unchanged, but that's not necessarily a bad thing; why reinvent the wheel?
Image may be NSFW.
Clik here to view.
I said at the start that the game is for a certain kind of person, and that person is a veteran Souls player. Yes, I mentioned in my first impressions that "if you're new to the franchise, you'll probably find it accessible", but I feel I may have been a little too generous there. While not as bad at roping in newbies as the first Souls game, there's a distinct implication that the player is already partly familiar with how a Souls game works in terms of combat, leveling, items and overall progression. That's not to say new players will be entirely locked out, just that someone who's never experienced several hours reviving at bonfires to go kill devil hounds might be a bit turned off. But if, like me, you're one of those crazy psychotics who is willing to spend those hours breaking through the brick wall of respawning enemies, you'll find a lot to enjoy.
Still gorgeous.
Sorry, that sounds really glib, but what more can I say? Dark Souls III looks fantastic. The graphical errors I mentioned in my first impressions have been tweaked, and it continues the series tradition of breathtaking vistas and grotesque, shambling monstrosities, both of which are richly detailed. There were some minor frame rate issues on the copy I played, but given that it's not the "final" final version, that may be fixed later.
Image may be NSFW.
Clik here to view.![]()
Of note are some particularly gross new enemies, including a giant demon who will beat you to death with a huge bowl of guts (or, if you're far away, will throw it at you like the world's most disgusting trebuchet) and Saint Aldrich of the Deep, one of the Lords of Cinder who is literally a constantly-shifting snake-virus-demon-thing that possesses enemy zombies by bursting from their chests and turning them into very fast and hard to kill snake-virus-demon-things. There's also a mimic, classically disguised as a treasure chest, who will unfurl into an obscenely tall creature made of tongues and pale legs that will give you the kind of nightmare that can only be exorcised by a lot of internet cat pictures.
Between this, The Witcher 3 and Fallout 4, what is it with games and superlative sound design lately?
Dark Souls III has a gloomy atmosphere and a gothic aesthetic, and it's something the sound greatly augments. Each footstep sounds unique, every weapon's slash or creature's shriek a joy to hear through wraparound headphones. From Software has taken their time crafting Dark Souls III's soundscape, and it only enhances what's already an excellent game. The music, too, is similarly haunting.
Are these games hiring the same sound people? If so, they really need a raise.
As a gauntlet of foes who do much to chip away both your health and your tolerance for death, Dark Souls III is quite possibly the best game of its caliber. Any further critique is going to feel repetitive; it enhances what didn't work, and largely maintains the same structure it's had for the better part of four previous games now (including Demon's Souls and Bloodborne). Newbies might be turned off, but fans of the series will love the gameplay, the growth of your character and the greater power you'll accumulate.
You will start but small, but you shall die a colossus. Repeatedly.
- Chris
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THE SHORT VERSION
'I may be but small, but I shall die a colossus.' - Lord of Cinder.
Dark Souls III is everything you could be wanting from a From Software game. It balances the tonal feel of the first game, the better player orientation of the second, and the faster combat of Bloodborne. It is, in every sense, a From Software "Best Of Gameplay", a number of excellent factors struck through with an enticing plot, sumptuous visuals and killer sound design.
Sounds perfect, right? Well, maybe, but only if you're a certain kind of person. We'll get to that.
STORY
What little narrative is given at the outset is fairly straightforward: as with the first two games, a mythical, faraway land has been left desolate by the abandonment and corruption of its leadership. The five lords who rule over Lothric have either vanished or turned evil, and it's up to you - a neophyte revenant who levels up by consuming the souls of monsters - to find them and restore Lothric to its former glory.
Now, part of what bugged a number of players about the last game was its overreliance on the story of restoring the land of Drangleic. The first game's allure derived from the story existing in the margins; rather than being the focus, it was a frame around your endurance tests as you slaughtered greater numbers of the undead. The keen focus on story in Dark Souls II seemed disingenuous to the mystique the first game's ambiguous plot afforded. Thankfully, it's a lesson Dark Souls III seems to have taken to heart; we're largely back to hints of the world being offered to us rather than clubbing us unconscious.
There's not a lot more I can say about story - not just because this is a Souls game, and plot isn't necessarily its main draw card - other than that it interested me more than the story of Dark Souls II did. It's evident From Software have struck a delicate balance between too much and not enough plot: a Goldilocks story, you might say.
GAMEPLAY
As veterans of the series are fully aware, the bread and butter of a Dark Souls game is the gameplay. You're here to pit your wits against numerous beasties with increasingly hideous appearances, and to deploy your patience as you die to them an infinite number of times.
As I mentioned at the start, Dark Souls III has taken the combat approach from the previous games and amped it up a bit with Bloodborne-style ease of movement and dodging. The gameplay is certainly more fluid than previously: where you were previously locked into completing an attack once you started it, meaning monsters could shank you unawares while stuck in your combat animation, the game now allows you to break out of that a little easier.
Battles never feel arduous, and the pace is nicely kept once you get the hang of the controls (which are largely the same as Dark Souls II). Heavy attacks are now chargeable, meaning you can swing that mace with a little extra elbow grease to knock some zombie heads off, and the magic system uses a Focus Meter that feels simpler than the series' previous approach to spell attacks.
What more I could say about gameplay would be repeating a lot of what I mentioned in both my review of the second game and my first impressions of this one. It's Dark Souls, meaning it's a slog against lots of nasties all trying to eat your face off. The core of the game is largely unchanged, but that's not necessarily a bad thing; why reinvent the wheel?
Image may be NSFW.
Clik here to view.
I said at the start that the game is for a certain kind of person, and that person is a veteran Souls player. Yes, I mentioned in my first impressions that "if you're new to the franchise, you'll probably find it accessible", but I feel I may have been a little too generous there. While not as bad at roping in newbies as the first Souls game, there's a distinct implication that the player is already partly familiar with how a Souls game works in terms of combat, leveling, items and overall progression. That's not to say new players will be entirely locked out, just that someone who's never experienced several hours reviving at bonfires to go kill devil hounds might be a bit turned off. But if, like me, you're one of those crazy psychotics who is willing to spend those hours breaking through the brick wall of respawning enemies, you'll find a lot to enjoy.VISUALS
Still gorgeous.
Sorry, that sounds really glib, but what more can I say? Dark Souls III looks fantastic. The graphical errors I mentioned in my first impressions have been tweaked, and it continues the series tradition of breathtaking vistas and grotesque, shambling monstrosities, both of which are richly detailed. There were some minor frame rate issues on the copy I played, but given that it's not the "final" final version, that may be fixed later.
Image may be NSFW.
Clik here to view.
Of note are some particularly gross new enemies, including a giant demon who will beat you to death with a huge bowl of guts (or, if you're far away, will throw it at you like the world's most disgusting trebuchet) and Saint Aldrich of the Deep, one of the Lords of Cinder who is literally a constantly-shifting snake-virus-demon-thing that possesses enemy zombies by bursting from their chests and turning them into very fast and hard to kill snake-virus-demon-things. There's also a mimic, classically disguised as a treasure chest, who will unfurl into an obscenely tall creature made of tongues and pale legs that will give you the kind of nightmare that can only be exorcised by a lot of internet cat pictures.SOUND AND VOICE ACTING
Between this, The Witcher 3 and Fallout 4, what is it with games and superlative sound design lately?
Dark Souls III has a gloomy atmosphere and a gothic aesthetic, and it's something the sound greatly augments. Each footstep sounds unique, every weapon's slash or creature's shriek a joy to hear through wraparound headphones. From Software has taken their time crafting Dark Souls III's soundscape, and it only enhances what's already an excellent game. The music, too, is similarly haunting.
Are these games hiring the same sound people? If so, they really need a raise.
WRAPPING UP
As a gauntlet of foes who do much to chip away both your health and your tolerance for death, Dark Souls III is quite possibly the best game of its caliber. Any further critique is going to feel repetitive; it enhances what didn't work, and largely maintains the same structure it's had for the better part of four previous games now (including Demon's Souls and Bloodborne). Newbies might be turned off, but fans of the series will love the gameplay, the growth of your character and the greater power you'll accumulate.
You will start but small, but you shall die a colossus. Repeatedly.
- Chris
Dark Souls III will be released April 12 for Playstation 4, Xbox One and PC.
