If there’s one thing I can’t stand, it’s people telling me Batman has no personality. It’s a commonly-fielded argument – “He’s really only into growling and hitting things” – that fails to acknowledge the deeper elements of the character’s psyche. Is there a reason he growls and hits things while seemingly devoid of emotion? Does a problem rooted firmly in his mind relate to this seeming two-dimensional representation of masculine heteronormativity and illegal violence?
The answer to the latter is yes, there is a problem: if he were to add more outward depth and emotion to kicking ass, you might get kinda what you see in “Requiem for Damian”. And lemme tell ya, it ain’t a rosy thing to see.
Following hot on the heels of Grant Morrison’s “Batman Incorporated” finale, the fourth volume of “Batman and Robin” follows Bruce Wayne coming to grips with the death of his son in the former. This leads to a five stages of grieving scenario that mostly involves beating the basmeezus out of anyone vaguely criminal, and even a few people who aren’t.

At the same time, his erstwhile colleagues are trying to calm him down (or, at very least, stop Gotham City’s medical insurance premiums from going any further through the roof). This works with varying degrees of success, though it does highlight that most of the Bat-clan shouldn’t consider any kind of psychiatric work in future should the whole crime-fighting thing fall through.

It’s almost too much to read some pages, especially when Batman amps up the bloodshed (still without killing, of course) with the grief palpable in both his facial expression and the level of violence imparted on his foes. Writer Peter Tomasi uses a great script in both visual layout and dialogue (with the former deftly brought to life by regular artist Patrick Gleason) to push Batman further than normal using a tragedy more impactful than a doomsday weapon. This is particularly apparent in the books ‘silent’ opening issue, presented completely without dialogue and representing one of the most tragic Dark Knight chapters in recent memory.

As an exploration of tragedy, grounded in a very real and relatable catastrophe, “Requiem for Damian” hits the right emotional notes. The death of its eponymous son isn’t over or underplayed, and Batman’s reaction and struggle to deal with it is a fascinating journey of heartbreak and emotionally-unstable violence. It’s tragic, but the ending leaves hope for the future. Part of why Batman doesn’t display as much emotion as, say, Superman, is to give the illusion of the implacable man. He’s enduring, and can still get the job done and find a way to, at least on the surface, keep going – even if the worst possible thing happens to him. Isn’t that the kind of person we all want to be?
- Chris